It is also a major Tamil festival in Sri Lanka. Pongal is one of the most important festivals celebrated by Tamil people in Tamil Nadu, Karnataka, Andhra Pradesh, Telangana and Puducherry in India. It is traditionally an occasion for decorating rice-powder based kolam artworks, offering prayers in the home, temples, getting together with family and friends, and exchanging gifts to renew social bonds of solidarity. Festive celebrations include decorating cows and their horns, ritual bathing and processions. To mark the festival, the pongal sweet dish is prepared, first offered to the gods and goddesses (goddess Pongal), followed sometimes with an offering to cows, and then shared by the family. The festival is named after the ceremonial "Pongal", which means "to boil, overflow" and refers to the traditional dish prepared from the new harvest of rice boiled in milk with jaggery (raw sugar). According to tradition, the festival marks the end of winter solstice, and the start of the sun's six-month-long journey northwards when the sun enters the zodiac Makara (Capricorn). Some Tamils celebrate a fourth day of Pongal as Kanum Pongal. The three days of the Pongal festival are called Bhogi Pongal, Surya Pongal and Maattu Pongal. It is dedicated to the Hindu sun god, the Surya, and corresponds to Makar Sankranti, the harvest festival under many regional names celebrated throughout India. It is observed at the start of the month Tai according to Tamil solar calendar, and this is typically about January 14. Pongal (பொங்கல்,, also spelled Poṅkal), is also referred to as Thai Pongal (தைப்பொங்கல், also spelled Tai Pongal), is a multi-day Hindu harvest festival of South India and Srilanka, particularly in the Tamil community.Viswanathan's music as "pleasing" but he was critical of Chanakya's direction, saying it "could have been more inspiring". Ramachandran of Sport and Pastime gave a positive review appreciating the film's message, also praising Vidwan Lakshman's dialogue as "sparkling" and M.
The Indian Express wrote that the film "has all the ingredients to make it appealing to the masses" and praised the performances of Ramachandran and Saroja Devi. It was initially scheduled to release on 14 January 1966, during Pongal, but pushed back to allow the release of another Ramachandran film, Anbe Vaa. Naan Aanaiyittal was released on 4 February 1966. The dialogues were written by Vidwan Lakshmanan and N. Veerappan, who also wrote the screenplay. Naan Aanaiyittal was directed by Tapi Chanakya and produced under Sathya Films by R. Ramachandran as Pandhiya alias Sundaram / Saigon Selvarangam (In photograph) You've passed away making me the heir for many lakhs of property! I'm the billionaire Sundaram and Pandhiya, who is blamed for the murder! I'm the lover of Kannagi and an engaged groom for Mala! God! I'd correct my brothers who are in the dark and give them life! On another side, I'd save this family from the hands of this tricky Manager! What should I do Dad?. But Pandhiya already loves another woman, Kannagi and mutually! But above everything, he has to, for people his of the mountain, to take out them of the obscurity, to look for leniency of the justice, to give them a better life, a new future! At the moment, the "prodigal son" is faced with a sum of problems.Īs he summarises it so well in front his father's portrait: Now, accused hastily of the murder, by a diligent policeman, Chezhiyan, Pandhiya decides in his turn, to put on the role of Sundaram, to save from the claws of Kumar, his maternal uncle Kanagarathinam and his daughter Mala, with whom he has to get married. The latter reviled in the arms of Pandhiya revealing him the black intentions of Kumar, and by confiding a bag filled with proofs. By a terrible combination of circumstances, false Sundaram falls in a trap led by Velaiya, a strong head (from Muthuveeran's group) and stabs him fatally.
Meanwhile, adult, Pandhiya learns by Muthuveeran his real origins. So, Kumar, the Kanagamaligai Estates's manager, in Tamil Nadu, (belonging to the late Selvaragham) and his father, in Saigon, plans to become a false Sundaram. The disappearance of the son arouses greed at the close relation of the fantastically wealthy father. Embittered and angry against society, Muthuveeran kidnaps at random of a meeting, in a park of Saigon, Sundaram, the unique heir of the billionaire Selvarangam, then baptises him of the first name of Pandhiya and the pupil as his own son in India, in the mountains, where he is, at the moment, at the head of a community compound of bandits and their family, living outside the system. Inequitably condemned to 10 years' imprisonment, Muthuveeran escapes after 6 months.
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